Time flies, 2000–2021
Artwork
Time flies
Time flies, 2000-2021, are a series of paintings and drawings of birds some of which are imagined, and others based on photographs and historic archival paintings from circa 1700s onwards. Part of an on-going body of work, each painting functions as an homage to Biswas’s last conversation with her father. The artist recounts that her father who was a well-read man. A wordsmith who loved the taxonomies of language, he spoke five different languages and read Persian. On his deathbed (her father died of cancer whilst in hospital) during their final conversation, Biswas had reflected on the evocation by the writer Marcel Proust of a woodpigeon’s call through the forest as a metaphor and marker of time and distance. Sharing with her father, Biswas continued that even after his death while she may not remember every discussion they had engaged in as father and daughter during their lives, that for Biswas his words would be akin to the woodpigeon’s call through the forest – a reminder of things spoken cutting through the distance and the passage of time. The first sounds Biswas heard following her father’s death, was the sound of birdsong (the title of a film that Biswas developed following her father’s death). Biswas recounts that her father was bird-like in his mannerisms. Time flies thus evolved as an act of remembering for Biswas. Engaging with questions of loss, it is a meditation on time and space in relation to histories – both past and present.
Related Links
Sutapa Biswas, in Lauren Elkin, Profile: Recognition at Last After Decades of Decolonizing Art: Sutapa Biswas is the Subject of two major exhibitions in Britain that explore the country’s imperial legacy'.
New York Times, October 15, 2021·ArticleSutapa Biswas, in 'ECOSPHERES: A Journey Through WATER, AIR & EARTH at Joburg Contemporary Art Foundation: Suzette Bell-Roberts takes us through ‘Ecospheres’ and talks to Clive Kellner to learn more about the exhibition’s curation and development.'
ARTAFRICA: Writing Art History Since 2002·InterviewSutapa Biswas, in Sutapa Biswas in Conversation with David Olusoga, Chaired by Sarah Munro, Director, BALTIC Centre for Contemporary Art, Gateshead, UK
BALTIC Centre for Contemporary Art, Gateshead, UK. Publication date: 19.2.2022·VideoSutapa Biswas, in Skye Sherwin, 'Review: A new exhibition showcases an artist who has spent four decades shattering Asian stereotypes and highlighting women’s untold stories'.
The Guardian, Monday 11 October, 2021 ·ReviewSutapa Biswas, in Stephanie Bailey, ‘Sutapa Biswas Crosses Time and Space’. Sutapa Biswas’s first substantial solo show in 14 years builds on the artist’s role in the British Black arts movement.'
Ocula Magazine, Spotlight. 2021 - 2022 ·ArticleSutapa Biswas, in Lumen: Sutapa Biswas, BALTIC Centre for Contemporary Art, Gateshead, UK.
BALTIC Centre for Contemporary Art, Gateshead, UKSutapa Biswas, in Joanna Cresswell, 'Profile: Sutapa Biswas, The Indian born artist reflects on a life fearlessly redrawing the boundaries of feminism, colonialism and art'.
Elephant Magazine, 16 July 2021·ArticleSutapa Biswas, in Millie Walton, 'Two Major Solo Shows Celebrate the Work of Sutapa Biswas'.
Trebuchet Magazine, 19.3.2021·ReviewSutapa Biswas, in Kabir Jhala, Sutapa Biswas: ‘Our reckoning with empire has recently begun, but we’ve only scratched the surface’. Ahead of two major UK shows, the British Indian artist discusses her new work and her role in the Black British Arts movement.
The Art Newspaper, 24 June 2021·InterviewSutapa Biswas, in Anna McNay, Sutapa Biswas – interview: ‘I felt questioning established systems of knowledge and power was as vital as breathing’.
Studio International, 24.6.2021 ·Interview